Kylie Minoise

harsh, trashed, tattered & lacerating, live rail, emergency incident, public disorder & fatal current shock noise from Scottish black market junk smuggler. paranoic, raw, shocked-out, iridescent ambi-trauma, aggravating the psychotic episodes of breakdown, intoxication, flip-out, paranormalism, nervous inflammation, logical collapse, cardiac arrest, emotional overload, violent outburst & unconventional space travel, sifting frantically – with bare hands – through the waste, collateral & refuse of a Frankenstein conspiracy, counter-culture, cult-offshoot, sleeper cell rogue agent hopped-up on bedroom laboratory experimental drugs on a suicide mission for disenfranchisement plenary at the behest of imaginary antagonists.



Intense & rupturing, connoisseur-quality, politicised-harsh-scald. Reviling, indignant, anti-corruption extreme electronics outrage, smashing out adeptly assembled brain-melt, hard-rend, garbled obstreperations & skin-strip, constructive chaos, digitized pummelling & fantastical harsh hostility. A-grade destructive frequencies for maximized meltdown discordancy blowout……immaculate.



a deeply disturbed & paranormal misinterpretation of mangled, macerated motley Gunk, scrapped extreme noisegrind – weirdo -noisecore, grating garbage-strewn harsh junk, flaking-feedback cauterization, & sallow analog electronics puke-spray, cross-contaminated with advanced avant-garde undesirability, absurdist breakcore fracture, palpitant Glitch prognostication, trash-jazz decompression hysterics & astounding oddity, allo-intellectualized by gibbering spastic warble-rot, intoxicated Industrial murk, suppurating synths & skittering improvised decompositions, unt anachronized with appalling weirdness, mega-mutation, badly corroded cybergrind harsh-bilge & fizzing medical waste fermentation & DNA-fallout. Has the shyster-supergroup hex of Dennis von Geldrop (Nee!), Sjak van Bussel (DMDN) & Dr.黒表himself – Yaju Kikanju Baku 無敵


Toff Stabber

Class terror, tycoon murdering, celeb-hating, defaced-Noisegrind, Scour Histrionics, Gunk, Blastcore mega-belligerence from the hovels of the shantytown. bulk-sinew-blast-brawn to make you puke your entire stomach section – shocking cardiac-paroxysm & nervous convulsion of hard-line User-Hostile blastcore noise-bray abhorrence reinforced with stone-age utilities for the worst catalogue of mass blunt-force injuries ever committed to the emergency theatre …. terrible, shocking, savage, bestial with appalling barbarianism, raw like a mole-hill exit-wound .. somehow crossed with a short-circuiting calculator spewing seven-digit algebra contingencies through a math-jazz malware malfunction with it’s interface going through a garden-shredder. Prone to eruptions of Flensecore & furious dysfunctional dismemberment, wrenched-dislocation & net-all destructive triage at its most draconian. flush guts – guts flush!

UK/Latin America


The violent expulsion & excoriation of corruption in all forms. An exploding emergency of horrifically fractured all-destroying Noise-profusory, hard Breakcore, Noisegrind, Gunk, Fray, Free Jazz, Riot-Gear, extreme Psychedelics & rabid-improvised-hysteria conflagrating completely out-of-control. This loose amalgamation of pyroclastic styles & intensely-volatile energies undergo severely disfigured transmutations & deformed-combinations, creating a truly unparalleled cataclysm with some of the most ridiculous velocity & matter-stripping-hurtling inflicting unmatched bedlam & mega-turbulence. Declared “Apoplexy” or “Flensecore” for its singular distinction & indelible destructive capacity, this intensely focused, fiercely politicized run-away disorder continues to shatter & decimate boundaries, definitions, limits & records.


download Nabeg’s ECONOMY = EXTINCTION album here –

Miracle Power Combination

no dogs! no Irish! no black-belts!

Oh yeah! – Vandalized guy n’ gal trash noise/noise core/scream-scruff from Texas. rusted-out and fucked over harsh raff freebasing between Shitnoise & heavy-experimentation art-house cacograph with a whole scrapheap of siphoned extras swilling the jetsam. Fuckin’ garbage-electronics, distorted MPC programming, scuffed Industrial squalor, raw, dirty & lo-fi power electronics, junk noise, grot-synths, samples, screams, horse-shit-blast-drums & other decaying & abraded debris. A mythic equilibrium between art-rubbish-insouciance-effort.. pensiveness & puke!!

Austin, Tejas

New World

The foremost founding member of 90’s Noisegrind Gunk sensation World – Hiroshi Zen, returns to the same project. isolation, psychosis, institutional incarceration, narcotics & alcohol abuse have greatly disrupted the purity & capacity …. what remains of the initial intentions is now (depending on the musicians available) primitive Noise or slow mastic Sludge-Noise atrophy.

Osaka, Japan


Stridor, make-shift, abrupt mood changes, pass-outs, flat-lines, scraped metal, intensive care unit, malfunction, double prostration, oversized exit wounds, the worst tooth-ache, neuralgia, extreme feed-back, computerized dystrophy, blunt object amputations, harsh, dirty, fatal, terrible fractures to the skeleton & fresh dirt in multiple open wounds, open-arse-surgery with welding equipment.


Melanocetus Murray


Oh yeah! Scrapyard-barbarism, tatty mendicant harsh Greek Noisegrind/Gunk smothered in strident feculence. crude as the caveman’s cudgel yet wrenched & fractured into something even more sordid & varying. solid & incessant hard-blasts, inscrutable saturated-fat distortion fast-picked blur bass/guitar-noise, garbage-scavenged lo-fi Noise modulation devices & homeless & mentally retarded drop-in centre styled vocal “off-on-one” multi-assault. Certain ta’ churn those guts & draw the flies thur lil bre!

mm_2Greece (fuck-off Germany!)



Legendary Osaka No-Skool-Noyzcore veterans drastically extended the limits to the Noisegrind medium. these Fantastically astute prescians came with a fervency, passion & virtuosity never before exerted in Noisegrind & a wondrous dilation in innovation disemboguing 20 second trax of duel vocals and crushing Stridor discharged in controlled bouts so it could syncopate with the percussive belabor of excellent tight, fast, energetic & inventive drumming boasting the best of the Grindcore tradition (single pedal skull-stove, single-pedal blasts & dynamic fills).

At last somebody was taking the genre seriously & applying themselves in full. Epic & indelible.


Wage-Slave Exchange


10-20 second songs of smelting harsh Noyzgrynd mangling with prelate Strentorian Hiroshi Masaaki of Sewage billowing vintage fast bray & grate Stridor, crude distorted drums inflicting the true essence orientated Grindcore essentials (classic blast & single pedal D-Beat) with massively over-distorted shriek & snarl dissatisfaction. User-Hostility shifted to almost unimaginable extremes, outstandingly harsh assaultingly-primitive verging on retarded, stone on bone flailing frayed high-voltage cables Anti-Listener grandeur for people that like eating lead-shavings & forcing angle-grinders up their arse!


Terrorist Kriss


terrorist kriss

Mauling misanthropic terrorist Splittercore & violent reactionary Speedcore/Noise & Power Electronics related discord with intensely sociopathic ideology & lethal lone-wolf temerity. Terrorists Kriss’s small-arms high school massacre, sniper in the bell-tower, kindergarten shotgun siege, unforgiving bad-taste style hostage-situation batters & shocks with merciless Splittercore depredation or apoplexic Stridor Speedcore HateGrynd collision… fast, nasty, lo-fi, savage & risqué as fukk!


Sweet Sounds of the Burning Child


Ghastly, PMT, sophistic, infanticidal, Stridor/Power Organics from Minzo Shiroma. Inexplicably harsh ear-raping merciless & shockingly unpleasant/zoic & inhuman 30-50 second mega voltage & deep internal rending, cerebral-scrambling of explicitly Anti-Listener obstreperation. Some of the harshest noise about mixed with bouts of severe SourMilk all assaulting around a centrifuge of tocophobic, witch-craft, Yonistic,  Fairy, Folklore & mass-murder. The “Power Organics” rubric derived from sweet sounds heteroclite induction of Noise which comes from purely buccal & nasal contortions through surfeit distortion, creating some of the most bestial/otherworldly massively dynamic & laughably maiming Stridor excess damage. Horrendous!


Shinu Mazafukingu Ujimushi


Based on a vague projection of kunoichi assassins, clichéd Hong Kong gangsters & feisty Hiroshima girl gang delinquency, SMU bust fuckin’ fast exhilarating energetic & confident GeikoGrynd. Blasting like shit, gloriously dynamic with a deftness & expert stylized panache to cleave the body into four neat quarters in a flash of pristine kizamu grace with tight adroit precision & intense flare. this was advanced Grindcore flamboyance with Grynz vital tenets honoured (pronounced single pedal blasts, classic Skull-Stove/D-Beat single pedal foot work, minimal Metal overlap, lower string concentric, Grate-friendly arse-shred) from kayaku Kikanju Baku & Chinpira.  The one & only demo emerging in th early 00’s during an era when fake severely impaired/compromised pseudo-grind was proliferating by the likes of Nazum, Discordance Axis, Pig Destroyer, The Kill etc, SMU were faster with far more guile & diversity & crucially much’ much more Grynd & they ineluctably would have been momentously influential had they not broken up after their first demo immortalizing them instead to esoteric obscurity. th demo still remains a cult artefact of Grindcore’s hidden history & still batters th fuck out of so much on th rack.


Sadistic Lingam Cult



Psychosexual anthrophobic genocidal Black Noise (no relation to Black Metal whatsoever) obsessing with far Eastern cultus, & a pantheon of recondite Buddhist/Hindu & regional Oriental superstition, paranormal divination ancient Sanskrit vestiges & Black Magic. Very’ very dark & malignant stuff, the bands sound is totally unique within the Noise strata, (nothing else even a little like it) deeply psychedelic, somnific & horrific, not so much harsh as an absolute overload of distortion, echo & reverb & bizarre cyber modulation & sound molestation through a series of very unfamiliar & as of yet unconfirmed analogue gadgets & contraptions (all from the early & mid 90’s when the band was active).  Even within the Noise ambit, SLC are very unorthodox, the closest relative probably being Death Industrial & perhaps Power Elecronics but neither can be adequately attributed, the band is without peer or parallel. Malefic, lubricious & profoundly ritualistic this phantom eldritch of heaving hallucination existed on the utmost underground during the mid 90’s encapsulated mostly on split cassettes with very obscure Noisecore bands. The sadism, gynophobia, imperialist Japanese ideology & phallocentric madness clash & are totally ill consonant with the the LOD ethic, but for noise quality & as one of the most individualistic, exotic & pronounced Noise experience available SLC augment the Jigokuki prepotency perfectly




Anti-urban dendrocentric NoyzGrynd from th jester of Blur & Blast Kikanju Baku. non-stop single-foot blasts invigorated by a constant dynamic of fills & shifting time-patterns & punctuations over severe Stridor Maul ascetic & harsh maiming austerity further mishandled by the intensification of fast distorted fret-shredding guitar-noyz for another apex of User-Hostile Gunk hegemony at it’s most verdurous.




founded on the “Space-Grind” ultra CyberGrind theory, Kikanju Baku & Vellum Vertiginous launch the latter to the furthest futurism, extraterrestrial extraordinary, heterodox time signatures, some if not “the” fastest single kick, non-triggered blasts of hyper-ultra-total-turbo cosmic intellectual inhuman blast cosmos-core with synchronized JazzProgRiotGear over-extravagance, stupid speed jumps & terrifyingly tight prescient precision on a truly supernatural scale. Generations & generations into the distance already.

Saturn’s dorsal gas column




To my knowledge, no other group takes the micro-burst to this level. Imagine hundreds (literally) of 1,2,3,5, 10, 14 second songs condensed into 5 minute stints. & the songs are rehearsed/contrived, yes they actually write & syncopate within this format. Sublime harsh No-Skool-Noyzcore spazzing like shit, blasting, blur Gunk, tremendous feed-back distortion detrition, manic guitar shred Noyzcore, crusting like fuck drums from the unexampled Gunk prelate Ryohei Kikuchi of Final Exit abetted here by the Tokyo sensation Takahisa on guitar & Noyz. vocals undergo such distortion assault & pitch-shift we end up with more Noyz , ultra SourMilk molestation, palpitant, ictus & Torikowashi to an uncomfortable excess, leaving no stasis between trax so the assault is without reprieve . Total’ total Gunk kids.




30 second Distortion sodden BlastBlur No-Skool-Noyzcore ferity from the late 90’s. nonsensical hysterical harlequinade with one of the fastest gravity-blast, drum-machine-standard percussionists (ludicrously precocious for the time) milling you into the asphalt whilst guitars frenzy in a maelstrom of total discord & indiscernible face-fracture.  Allo-Vocals of some kind of hebephrenic Cookie-monster pre-puberty animal impersonation squawk, scream & screel. Severe BlastBlur User-Hos Distortion Gunk to shred ya balls!




Industrial Experimental Noise.. harsh, unpredictable, tremendously versatile & void of any identity/dogma/politics aside from the Noise itself. Napalmed are endowed by constant scavenging. modulation & application of Noise materials going further than any other Noise band I am aware of to include new praxis/equipment/recording techniques, most notably & endless array of Metal/Industrial machinery/components presumably scavenged from post Czech’s communist industrial dereliction. This makes there sound source & procures the project a unique & tremendously extensive versatility expanded even further by the group’s total surrender to experimental forces with varied samples, collaborations, vocals, field-recording applied per track or session. Napalmed begun with Radek Kopel & in the early 90’s & has ever since been a highly active independent entity in the Noise underground with shit loads of cassette. Vinyl, CD & CDR releases. In fellow scrap-yard post communist aggrieving Noise technician Martin B joined in 2000 incrementing the already enormous capacity & scope.

Czech Republic

Mourmansk 150


Controversial French grand master of seditionary strategy, rejectionism, confrontation reinforced by preposterously harsh & staggeringly violent/wrathful Stridor savagery for abject mauling & disfigurement. M150’s various arrests, searching of living quarters & confiscation of equipment by the inferiorities along with playing/broadcasting live from the G8 summit in Genoa during the riots as a “testimony to the violence” assert M150 into a uniquely sovereign category of distinction & provocation. Ethical extremity, trenchant calumniation of the West & violent repudiation at the horrors of the modern urban environment & globalized orthodoxy & acquiescence, all bludgeoned & grated by some Frankenstein compository of anti-capitalist misanthropic, left wing extremist, riotous objectionist political vandalism on the quest for  extraction, autonomy, depuration, solatium, manumition & of course revenge for sphere, self & species. Mourmansk’s earlier tenure assaulted with the most harsh, hateful, stupendously violent & incinerating unremittent Stridor-maul negation we have heard in Noise, period, & this is the epoch that LOD/TGS concentrates on & releases. The unit has since permutated & had a Power Electronics & Distress conversion of sorts.


Law Facilitates Crime


Law Facilitates Crime

Incomparable Grind/Gratecore propulsion. Electing the most savage & ascetic tenets of integral Grind virtue & battering them to an advanced stage of combat – combining uneven time signatures, modal intricacies & syncopations with irregular as fuck punctuations directly to the classic single-foot D & C Beat & multifarious Blastbeat formula to transmute a terrifyingly effective, absurdly fast & aggressive advancement, with Grate & Grind so destructive it will file down any obstacle. Savvy as fuck & monstrously progressive as well as taking the core elements of non-metallic Grind severity to the most tumultuous & peerless crest with speeds & consecutive attack that literally defy belief. With radical  activist, subversive & rogue-journalist links, contributions & samples hewing some of the most strident philippic & informed attacks on the corporation crisis, putrefaction politics & western corruption.

The Divided Kingdom



Ultra User-Hostile draconian-Distortion Blast NoyzGrynd from Norway enacted in 20-30 second incinerations & cave-man pummel primacy. How Anti-Listener do you want it? It’s laughable really, as if the earth fractured & the most primordial shit the galaxy could produce just comes surging out. Bash your brains in with a cement cluster, beyond crude, hopelessly harsh screaming BlastNoise (Noyz/Screams/Blast) for only the most grizzled, resilient & committed Noisecore extremists. Krybbedod would later become Blodsprut & never ever repeat such a damaging infraction of stupendous User-Hostile Gunk. Unbe-fuckin-lievable!


Jet Jaguar KR3 Kill Spree


Evolution, erudition, ingenuity & extension of the Noisecore, weird adverse Cyber shit & digital extremes proximity with paranoid, intelligence agency loathing, secret society obsessed, science fiction infatuated enormously eclectic User-Hostile digital No-Skool-Noyzcore Gak Sprook BlastBlur on an information overload of radical documentary, conspiracy theory/alternative narrative, comic book & cult-media replete cosmologist UFO specialist meteor shower. Jet Jag overwhelms misdirects & confuses, mostly following no conventional time sequence rather an anachronistic free-fall densely stippled with erraticism of ever oscillating samples styled & sourced from any & all competing for cognition in a mayhem megrim of harsh noise, irregular BlurBlasting distorted drum programming, Power Electronic prone subulate spastic Synth shamanic abnormal-Experimental Glitch-craft FX-laden what-the-fuck with vocals ranging from more traditional Grind/Noyzcore territory to spoken word sequencer mutated verbal theatrics. The scope, repository of sounds/systems equipment available & expertise & conceptualism of Doc Goro means that anything is possible & that track for track variegates dramatically & has it’s own unique genetic splaying & construct. Unpredictable aside the obvious Anti-Listener phonic mangling Jet Jag’s bizarre skitzophonic deformity utterly extirpates all the “fucked-up” Glitch, Cyber & “Experimental Machine Grind” acts by light-years, there’s nothing else close & never will be as the depth of detail & originality is just too off the scales to be emulated.

Early Jet Jag was more intense sonically & more on the Noyzcore/BlastBlur with more Analogue activity. The later Jet Jag became more Experimental & intellectual & less interested in mauling dat arse <but still very inclined for preposterous bouts of User-Hostility> with a more pronounced digital presence.


Jesus Of Nazareth

ss 8

Harrowing & unnervingly unpleasant Distortion GryndNoyz sermonizing lofi harsh analogue with Ambient Death Industrial Experimental Power Electronics Drone. samples & digital division/combinations of live material/traditional live Grindcore percussion & drum Machine programming that sometimes penetrates into IDM orbit. successful as a harsh lofi & dirty User-Hostile mishap but more so as a horribly disturbed theological distressing & disfigured freak-accident of twisted unheimlich traumatism, squirming deep into a really sinister & unpleasant sector of insanity & negativity. a very’ very dark & frankly quite awful off-putting decortication of the senses.




Classic disheveled & derelict lofi Dark Ambient/Power Electronics/Drone from the master of ominous apparition Texas based Inhalant who are probably responsible for the best Death Industrial we have heard full fucking stop! Desolate, subterranean, tenebrous, lurking in the shadows shit of astoundingly atmospheric dissonant-experimentations.




Exceedingly energetic enuresis of the most hyperactive & hysterical, spilling a tremulous swell of gorgeous Stridor & unreasonably fast ludic injurious high-frequency Feedback SourMilk to scour yur tubes hard! Totally spack plysexual hageshi-harsh Lap-Top Spate palpitus with an unnatural enamoration for dysuria performed by a Spanish gynandromorph (seriously) & her underdog  sideswipe at the influence of Japanese-girl fixation & hallucination (az iz/on th rizeel) !!

Madrid, Spain/ th dirtiest dyv in Kabukicho/th most licentious nook of Ropongi/the spumeiest shower-block of soap land, th swelteringest quarter of courtesan district (dameru! ><)

Himitsu King


Osaka pentad of Noise/FX, drums, guitar/vox, bass & keyboards ensorcell an apex of Abnorm/Gunk or “fast progressive junk” as HK self define, a polychromatic cloud-burst of harsh Noise, Sprook, Distortion Noisegrind Blast hysteria cross-pollinated with virtuosic models of Grindcore, Fastcore/HC/PV, variegated Metal, Funk, Fusion converged with an assorted influence of Japanese muzak, video-game tinged, J-Pop Anime equivocation finally melanging with a marvelously distinct Prog/Jazzesque highly original florid intricacy auxiliarated by vocals of a jittery squawking amorously agitated manner.

Sound good? Japan has a reputation, sometimes felicitous but often exaggerated for performing weird & extreme sonic exoticism, but aside Bollock Swine & Jet Jaguar at their most jangled it is honestly difficult to think of a more accomplished & far flung entity in fucked-up, bat-shit-crazy weirdness deformity than Himitsu King. the way ahead. The Boredoms & Melt Banana don’t have shit on these freaks, an dats real mothafukurz

 Osaka, Japan

Government Alpha

government alpha

Considered by many to be the harshest Strentor of all time, Tokyo’s veteran mega-weight Yasutoshi Yoshida expels hazardously harsh opalescent Stridor Prime, ripping galaxies into rags with excessive psychedelic experimental primeavel prismatic pressures SourMilk solar magnification & grating Freefall interstellar entelechy.




uzz two

Genetic aberrant FztFwrd, a harsh Noise & Power Electronics splice, laced with Industrial irregularity melded with some off the classiest & quality carpet bombing of Splittercore/excised-Speedcore, with a precision, adroitness & dynamic the transcends the usual pitfalls & limitations of the Splitter/Speed-core genre. sample sodden serrated User-Hostile pummeling harsh influenza from the forbidden laboratories of the Industrial ghettos to blast skeletons str8 out of their soft fleshy enclosures & have those incrassated braynz spilling out of empty eye-sockets y’ fukn no-good sack a’ shyt><!!!