Osaka pentad of Noise/FX, drums, guitar/vox, bass & keyboards ensorcell an apex of Abnorm/Gunk or “fast progressive junk” as HK self define, a polychromatic cloud-burst of harsh Noise, Sprook, Distortion Noisegrind Blast hysteria cross-pollinated with virtuosic models of Grindcore, Fastcore/HC/PV, variegated Metal, Funk, Fusion converged with an assorted influence of Japanese muzak, video-game tinged, J-Pop Anime equivocation finally melanging with a marvelously distinct Prog/Jazzesque highly original florid intricacy auxiliarated by vocals of a jittery squawking amorously agitated manner.
Sound good? Japan has a reputation, sometimes felicitous but often exaggerated for performing weird & extreme sonic exoticism, but aside Bollock Swine & Jet Jaguar at their most jangled it is honestly difficult to think of a more accomplished & far flung entity in fucked-up, bat-shit-crazy weirdness deformity than Himitsu King. the way ahead. The Boredoms & Melt Banana don’t have shit on these freaks, an dats real mothafukurz